Salisbury and Downton LaceNovember 5, 2012 at 9:14 am | Posted in Lace, Museums and Exhibitions | 2 Comments
After Honiton, my last stop before heading home was Salisbury. This very nice town is famous mostly for its Cathedral (well worth the visit) and because it’s located near Stonehenge. As always, I first became aware of Salisbury because of a hint that there would be lace to see at the Salisbury and South Wiltshire Museum. Since I can’t resist that kind of call, and Salisbury happens to lie along the same train line as Honiton, I decided to pay a visit and see for myself.
Turns out Salisbury is a very pretty little town, and the area around the Cathedral is nothing short of impressive. The museum is situated in a historical building directly opposite the Cathedral. Judging from the building, I couldn’t wait to find out what’s inside. Here’s a view from the backyard, which gives a nice impression of the nature of the building:
The museum’s emphasis is on archeology, which isn’t surprising given the proximity to Stonehenge and the rich history of the area going way back in time. But as always, I was especially attracted by the costume collection. The collection mostly shows historical clothing that people from the area would have actually worn, thus giving an interesting glimpse into local history. In addition there are some exhibits especially interesting for the needleworker, like this stumpwork mirror frame.
Finally, a few display cases showed samples of Downton lace, which is what drew me there in the first place. Downton lace is very different from the Honiton lace I saw just a day before. While the former is very elaborate, and often huge pieces were worked, Downton lace is generally worked as narrow edgings. It gives the impression of being way more utilitarian than Honiton lace. The exhibits consist mostly of sample collections, such as they would have been used by the lace merchants to present and sell their work. The pillows used are cylindrical, which lends itself to the making of long lengths of narrow edgings without having to repin the work.
As always, the limited space in the exhibition doesn’t have much space for additional information. I was hoping for the museum shop to come up with something to take home to read at leisure, and I wasn’t disappointed. While I couldn’t find it at my first look around, the shop assistent helped me to a nice little brochure all about Downton Lace and its history, and at 50p it’s a real steal! Here’s the cover, with a painting of a lady at work:
Lots of information in a smallish package, which is just what I like to see!
I finished up my visit with teatime at the museum café, sitting outside in direct view of the Cathedral, which was next on my list of places to visit.