Honiton LaceSeptember 23, 2012 at 7:38 pm | Posted in Lace, Museums and Exhibitions | 2 Comments
I first came across the name “Honiton” in books on the history of lace-making, such as Chats on Old Lace and Needlework. Being eternally fascinated by all things lace, I found out a few years ago that Honiton does indeed have a museum, with lace being one focus of the permanent exhibition: Allhallows Museum of Lace and Local Antiquities.
Honiton never was quite in the direction of my travels during the last years, but this summer I still had a few days left to spend and so decided to go have a look. Arriving at Honiton around noon on a very nice late summer day, I found a pretty little town, mostly consisting of one street. Honiton is somewhat famous for its antique shops, and there’s also a pottery, which unfortunately is closed on Mondays, so I couldn’t go have a look-see.
But first priority was the museum, anyway. Housed in a historic building with an illustrious history right next to the church, it looks pretty small from the outside:
However, there are a few more rooms around the back, so it’s not quite as small as it looks. The first room has the tiny shop and a gallery of lots of different local things. A few stairs at the back bring you down to the Nicol Gallery, and this is where lace makers’ paradise starts. In this room there’s a display about the history of Honiton lace, and a big case with examples. There was old lace as well as modern, including a lace jabot and cuffs made for the Speaker of the House of Commons. They were made for and worn first by Bernard Weatherill, and since the current Speaker doesn’t wish to wear them, they get displayed in the museum.
In this gallery there were also a few stands for lace pillows, and at the end of my visit a lady started setting up her equipment to give a demonstration. She told me that they try to have someone in to demonstrate most afternoons, and gave me a few leaflets with more information about Honiton Lace. One of them was the FAQ you can also find on their website.
The Norman Gallery is the last room of the museum, and solely devoted to lace. In addition to lots of lace on display there’s information on topics such as Victorian mourning customs, and the developments in machine lace making that eventually made lace making by hand unprofitable.
Were there souvenirs? Of course there were:
The pile of leaflets at the back, and some postcards showing samples of Honiton lace. The museum included a second hand bookshop for mostly needlework-related books, and quite a few new brochures and books as well, but luckily there was nothing I absolutely had to have, since I had been exhausting my budget in Birmingham and Lampeter already.
Honiton was definitely worth the visit, I enjoyed myself very much and learnt a thing or two as well, just as it should be!