Tatted Earrings
October 26, 2008 at 11:07 am | In Tatting | 4 CommentsTags: Jewellery
In response to my Needlework for Today post, CateranLlama commented with an interesting idea:
Tatting! No, seriously, find a pair of biggish (plainish) beads you really like and tat a few lacy loops around ‘em and finish ‘em off with earring hooks.
This is really in the spirit of what I was getting at in that post: a small, wearable piece of needlework, worked in a technique you don’t see that often. So I asked her to demonstrate, and that’s what she came up with:


If you want to play as well, CateranLlama wrote up what she did to create these. If you don’t know how to tat, the Encyclopedia of Needlework has a description in chapter 10, and the terms used there are the same as in the instructions:
Select a pair of beads. The holes need to be on the large side, but make sure the beads aren’t too heavy to wear comfortably. Note that you’ll end up with two strands of thread with knots on it inside the hole. Wind your shuttle with comfortably-sized thread. I used a medium-to-fine crochet thread instead of something really tiny because my sample beads have sharp edges and I didn’t want them cutting the thread mid-way through. If you use a smaller thread, use either smaller beads or increase the numbers of stitches.
Create a decorative structure to hang below the bead. I used a clover-leaf-like structure, but in theory anything that could support two small picots along the top edge would work. Mine is three double, small picot, five double, slightly larger picot, four double, small picot, three double, tighten up the loop. Three double, attach to second small picot of previous loop, five double, slightly largish picot, five double, small picot, three double, tighten up the loop. Three double, attach to second picot of previous loop, four double, slightly largish picot, five double, small picot, three double, tighten up the last loop. Cut this off the shuttle (and don’t loose it!)
Figure out which end the decorations should be on, and feed the string back through the bead from this end. Tat a few double stitches, make a small picot, tat one bead-length’s doubles plus three or four, hook it on to one of the small picots on the side of your decorative structure then add enough double stitches to go back up the other side. Tighten it up, cut it off. (Note that tightening it up is the hardest part of the whole process. Don’t be afraid to pull the decorative part partially back into the bead to work with the stitches inside.) Here’s an illustration of how working with the bead in the loop should look like:
Feed the string back through the same end, do the same kind of loop-making as above.
So at this point, you should have a bead with two loops of double stitches around it. Each loop should have one small picot somewhere within a stitch or two of the top end of the hole, and there should be a decorative structure of some sort stitched to the bottom.
Feed your string through the eye at the bottom of one of your earring hoops. Three double, hook on to one of the picots at the top of the bead-wrapping-loops, double far enough to reach the other picot and add it, three double (or a few more, for very large beads), tighten, cut off. And you’re done!
Of course I wanted to play as well, so I got myself some supplies out and gave it a go:
It turned out my beads are way too small to have a tatted loop inside, so I adopted another method. I made two clover leaves as described, inserted the thread ends (two from each side) through the bead and knotted them together around the ornament on the other side.
The small beads are added while tatting in the following way: before starting the ornament put as many beads as you need onto the thread and try to keep tham inside or near the shuttle. When starting a ring where you’ll need a bead (could be more than one as well), move the bead into the ring and keep it at the bottom for the moment (similar to the big bead shown above). When you reach the picot the bead should sit on, just slide it onto the picot before continuing to work.
I think there’s lots of potential in this kind of jewellery, I’m going to explore it some more. One technique that easily lends itself to working with beads of all sizes is macramee, so maybe my next pair of earrings will use this.
Textile Inspirations: Mathematics
October 19, 2008 at 6:08 pm | In Inspiration, Knitting | 2 CommentsTags: Mathematics
A friend of mine observed that I had quite a few projects with mathematical connections lately. And, looking back, she’s absolutely right. We’ve had hexagonal tilings, hyperbolic crochet and a fractal quilt:
I also finished Celestine, which I didn’t design myself, but which definitely appeals to me because it’s a regular geometric figure:
For me, mathematics and textile art fit perfectly together. A big part of mathematics is all about patterns of different kinds, and while not all of those can be visualized easily, a surprising number can. The works of M. C. Escher are just one example of what’s possible. And as soon as you go into three-dimensional structures, there are cases where visualization is much easier with a flexible medium like thread and fabric than stuck on a two-dimensional piece of paper or models built with paper and glue. The hyperbolic crochet is a very good example for this.
Today I had another possibility to let myself be inspired by mathematics, and I wasn’t disappointed. 2008 is the “Year of Mathematics” in Germany, and consequently the Munich Science Days are all about mathematics. Aimed at children and teenagers to get them interested in studying a maths-related subject, there were a lot of hands-on exhibits to play with. One thing to take home were different exhibits featuring computer graphics for visualizing mathematical structures. Imaginary allows to create impressive images. They are probably not as impressive on your own monitor as on the huge projections in the exhibit, but then exhibitions on the internet are open 24/7!
For textile inspiration, I like the Ornaments program to draw on tiled surfaces, which leads to instant quilt patterns. I haven’t explored most of the other things on the page yet, but the possibilities are endless.
Taking different fields of mathematics for inspiration, I don’t think I could ever run out of ideas for textile projects, and I love to show off images from a field of science that’s often thought off as boring and dry.
Needlework for Today
October 15, 2008 at 4:53 pm | In Lace, Past – Present – Future | 3 CommentsWhen I finished reading “Lace in Fashion,” the last few paragraphs really got me thinking:
Lace existed long before it became fashion, but it was fashion which miraculously transformed its techniques into a perfection of thread-movements and designs of surpassing beauty and transcendent skill. That such laces could ever exist, and that some have survived, is our good fortune. Only bad social conditions, embodying a form of slave labour, ever made them possible on a large commercial scale. With improvements in conditions that conjugation passed, and antique laces are no longer replaceable.
While I have known this for some time now, it still makes me sad to see hand-made laces become a lost art, something we can admire in a few museums as a memory of times past. On the other hand, I admire the ingenuity of the engineers who developed the machines that made machine-made laces possible und thus lace affordable for almost everyone, not only a select few. I think we need to celebrate the achievements of engineering, since the present and future of lace definitely lies in that direction. We’d be crazy not to make use of those marvellous machines.
But there’s something mass production cannot achieve: whatever most of us buy in a shop, we can be sure that hundreds or thousands of identical pieces of clothing are sold. True individuality is not possible that way. And it is in this area I think that hand-crafted items of all kinds will have a future. Pat Earnshaw’s outlook on the future of lacemaking looks pretty bleak to me:
It is thus of immense importance not only that all actual surviving pieces of lace from the past should be cherished, but also that lace-makers, by actively perpetuating the ancient techniques, should preserve for posterity our knowledge of how they were made.
Of course it’s important to preserve the old pieces and the techniques used to make them, but the art of lacemaking will still be dead if we can’t develop ways to use hand-made laces that are suitable for today’s fashion. Huge pieces of hand-made lace are impossible today for the reasons already stated above. But what of smaller, even tiny ones? A small accessory or a piece of jewellery incorporating hand-made lace could be that touch that makes a store-bought outfit special. And the time investment needed to create a small piece wouldn’t be forbidding. One of the reasons why I like needlepoint lace so much is the complete freedom in choice of pattern together with a very small investment in materials to get started. But of course other types of lace could work, too. I’ve got lots of ideas for different objects and will keep you updated about any progress I make. Why not play along? If you don’t know how to start, my Needlepoint Lace Tutorial can help you with this. I’d be happy to see your results!
While the book that got me thinking about those topics again talks specifically about lace, similar arguments apply to other time-intensive needlecrafts as well. Have a look through the Encyclopedia of Needlework, and you’ll see quite a few things almost noone knows how to do anymore. Creating small pieces just to try out the techniques and make something unique would be a good way to go here as well.
I think just preserving the techniques for the sake of preserving them will not be enough to save them in the long run. Finding new uses for them in today’s fashion world might just do the trick, though. The recent knitting and crochet revival shows that people want to have that special, one-of-a-kind piece and are ready to invest the time necessary to create it. Easily accessible patterns for small pieces to try out new things might help that process along in other techniques, too.
Falling Leaves
October 12, 2008 at 2:14 pm | In Inspiration | Leave a CommentYep, it’s this time of the year again. I love fall, and since today is an exceptionally warm and sunny day, I decided to take a walk round the neighbourhood and take in the sights. I never get bored walking along the same paths over and over again. Just watching the seasons go by keeps me amused all year.
Today I decided to have a closer look, so I took the camera, my sketchbook and a folder to collect some leaves. Being on the lookout for good picture opportunities helps me to slow down and actually see things I would have missed otherwise. While I was looking for nice leaves to take home, I noticed a few interesting things: Some trees lose their leaves when they’re almost green, others get a lot of colour and the coloured leaves fall down, and still others keep their leaves till they are dry and brown. Any leaf you collect from one of the latter trees will be dry and brown by necessity. Some trees have lost almost all their leaves by now, while others are still keeping most of theirs. The tree in my backyard is in between: the uppermost branches have been blown bare by the strong winds of last week, below is a large area with mostly yellow leaves, and towards the ground the leaves are still green, so you get a layered tree! There are even different sounds when you walk through a puddle of leaves from different trees. I find it really fun and inspiring to slow down for once and really look and listen. So, here are my findings:
Those will remind me of this walk for a few more days, and maybe inspire a fall-themed project or two. Nature in all its forms is a never-ending source of inspiration for me, so I’m not likely to run out of ideas anytime soon.
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